Phil Jones

Phil Jones: My work can be anything from cartoonish to somewhat photo-realistic. The realism style I paint in requires a lot of time and focus as I tend to be more of a perfectionist when painting “realism”.

Phil Jones: I was assigned to the same unit featured in the film “Black Hawk Down.” It was quite the contrast between interning at Disney Studios and working with Navy SEALs, Delta Forces, and Special Forces. One thing Disney Animation had in common with my unit as I had a chance to work with the best in the world in both fields. Military work was demanding and fun as my job consisted of creating everything from graphics for briefings to doing paintings for the unit’s museum at FT. Campbell, KY. Both were amazingly rewarding.

Phil Jones: I’m at a point in my career where I look for clients who will be fun to work for and share the same creative spirit I do. It should not be a struggle as we collaborate on making something innovative, fun, and new.

Phil: I listen, take notes and ask questions. Contact with your client is very important. It never hurts to ask questions. Multiple sketches are important as well.

Phil: Once again, I listen. A client chose me for a style they feel fit their vision, so at first, I’m honored. It’s like being chosen by the pretty girl at the school dance; you don’t want to embarrass yourself but you also want to impress!

Phil Jones: One of my favorite projects was the 1996 Tampa Bay Buccaneers season tickets. Every game, thousands of people saw my artwork. It was also the last season the Bucs work their famous “creamsicle orange” uniforms. Another has been artwork I’ve done for the Orlando Magic. The fact that my artwork adds to the overall game experience for Magic fans is awesome!

Phil Jones: The motivation to do something better motivates me. I look at work I did two years ago and compare it to things I’ve done recently and I see improvement not just in style but in technique as well. Other artists I follow are always moving forward and are driven to innovate their techniques and improve as artists.

That’s what drives me. If I’m doing the same thing ten years from now that I’m doing today, I’ll be very depressed. My natural style is cartooning; it just flows from me. I start with rough sketches and refine those drawings, flipping them back and forth to achieve balance in the drawing, design, and color.

Phil Jones: I graduated from Ringling College as a “traditional” illustrator. My training was all in paint, pens, pencils, and traditional media. After spending years at Disney and in the military, I had to teach myself digital media like Photoshop and Illustrator. Now, most of my work is created in Adobe Sketch on my iPad Pro, so I can work anywhere on a project.

Phil Jones: I teach part-time at a paint party establishment where I lead people with no skills at all through sometimes complex painting. The most rewarding thing I hear is when someone says, “I never thought I could paint that!” and they leave excited with their very own painting they did with a little guidance from me.